“Othello” in evening dress

Naomi-Campbell-in-Roberto-Cavalli

The night of the “first” was illuminated by “50 shades of pink.” This is the color that dominated among the ladies in the foyer of the bicentennial Teatro Sociale Como. The long-awaited debut of Othello, Verdi’s grand opera, has seen parading across the city that counts.

Among the first to arrive, the prefect of Como Michele Tortora, a great friend of the theater, accompanied by his wife Gloria, all dressed in long dress paired with modern boots, and the commander of the financial police, Marco Fur, divided into high, alongside with the daughter Claudia. 
Smiling, and now at home, the mayor and his wife Lorella Mario Lucini, which on this occasion he chose a pretty coral dress. Cernezzi Palace was also represented by the councilors Luigi Cavadini, Gisella Introzzi (for her sober black dress) and Silvia Magni, who chose the green, and Daniela Gerosa, with her ​​husband Mark, who has decided to black to match its color favorite, the blue zebra crossing in payment.

Among the VIPs could not miss the Superintendent of Architectural Lombard Alberto Artioli, a major advocate of the restoration of the Teatro Sociale and its Outdoor Arena. 
Significant of Social prestige achieved by the presence of well-known designer Ezio Frigerio and his wife Franca Squarciapino, costume designer and winner of the Academy Award in 1990 for Cyrano de Bergerac. 
Elegantissima and radiant in her black dress the hostess Barbara Minghetti, president of the As. As.Li.Co., that in the year of the bicentennial of the theater wanted to give in Como before a great prestige. A lot of work that certainly has met the president of Palchettisti Peronese Francis, as always, has dispensed to all his infectious smile. 
Among the VIPs, now regulars Social, Gianluca Zambrotta with his wife Valentina in his impeccable black dress.And, as we said at the beginning, the part of women in the audience to triumph were the variations of the rose between excesses and improvisation. 
And if, in the words of the master Bruno Dal Bon, who directed the Company for several years, “the theater must also learn how to walk, “was not missing some fall style. Browse around the appearance in the foyer of the “first” of a couple of tourists, with regular assigned seat in the gallery, in shorts and backpack, luckily escaped the severe eye of the Roman Empire, the historic capital of the mask as always by applause in his impeccable livery.

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